Eric Den Hartigh
Eric was the initiator of Roodkapje. In 15 years he built the institute we all know and he was always ahead with rebellious visions and innovative ideas. Roodkapje will miss him dearly, as an inspiring director and curator, but more importantly as a wonderful and very kind human being & friend.
We will never forget you sweet Eric and will keep on going as you wished.
The whole Roodkapje Team
2000-2010: Witte de Withstraat 13
Roodkapje started in 2000 at the Witte de Withstraat 13 as an eclectic nineties styled mix of exhibition space, public studio, fashion boutique and hair & makeup salon for millennium Now & Wow night birds. The public studio featured sewing machines, video editing computers, a photo studio and a DJ booth. Soon after, Roodkapje’s growing community was invited to host art events and happenings in various venues in Rotterdam, including Las Palmas, Now & Wow and Waterfront: project Nachtkunsten was born. In the weekends our caravan would show up on the dance floor of these clubs. Inside you could visit an exhibition, every week there was a new artist or artist collective.
Roodkapje is and was also about atmosphere, never solely about art. We started experimenting at the Witte de Withstraat with organizing weekly dinners in the exhibition space. Later this would turn out to be the start of the Beat Burger, the predecessor of Burgertrut. Besides adding to our income, the Burgertrut is an important tool that can help soften the initial hesitation towards conceptual art and make it more approachable for a broad audience.
In 2003 Roodkapje organized the first edition of R EJECT Film Festival, a shadow film festival during the International Film Festival Rotterdam. It showcased local and international young filmmakers, whose work didn’t make into the official selection. The first edition our films were screened in a caravan park set up right next to IFFR’s main venue. We presented this concept later on in Nijmegen and Amsterdam. There have been several editions of the reject festivals. From caravans we moved to city buses. After buses we pioneered in the field of popup stores. We organized several editions of the reject festival in vacant shops throughout the city centre. Most recently we hosted R EJECT in the brutalist Hofpoort-tower at Hofplein.
During these early years, Roodkapje exhibited work, released booklets and showcased a variety of local, national and international artists, including Bianca & Sierra Casady (Coco Rosie, US), Bunny Rabbit (US), Karol Radziszewski (PL), Kapotski (BE), Jonas Staal (NL), Tinkebell (NL),, Gozde Ilkin (TR), Quay Brothers (US), Democratia (ES), Aysel Bodur (NL) , Jean Gabriel Periot (FR), Venour (NL). And a big number of other (Rotterdam based) artist in the start of their careers. Notable events also include multicultural vlaworstelen (“custard-wrestling”), winning the Museumnacht Maanprijs with Joram van der Sloot, guerilla gardening, Klub Mayonaise: our flyer was printed on a tube of mayonnaise, leaving parts of the Witte de Withstraat covered in mayo.
2010-2013: Meent 119-133
In 2010 Roodkapje moved to Meent 119 – 133, in the middle of a busy shopping street in the center of Rotterdam. The different, connected spaces of 700 square meters were used for 12 exhibitions, concerts, a (mini)shop and the first incarnation of Burgertrut. On March 6, 2010, Roodkapje started ROT(T)TERDAM, a ‘cultural supermarket’ with a monthly new offer of art, fashion, exhibitions, lectures, parties and performances
In 2012, the International Film Festival Rotterdam invited renowned director Michel Gondry (FR) to Rotterdam. On 26 January 2012, Gondry opened the ‘Home Movie Factory’ installation in Roodkapje, which allowed participants to create a short movie in only three hours. The installation remained open for the public until March.
From March-May 2012 hosted the exhibition ‘Epicenter for the Contemporary Urban Wizard Practice’ at De Meent, featuring work by contemporary city wizards Jasper Griepink, Toine Klaassen and Piet Langeveld.
The new location also was used as a concert venue. Numerous Dutch and international acts performed under the umbrella of ROTTT. The space also was used for several thematic editions of Vieze Diana (f.k.a. Sauna Diana).
Exhibitions and events:
# Carl Giffney (IE): Partij voor Ierland/Partir pour l’Irlande/Imirce go hÉirinn/Irlanda Partisi
# Nikki Rosa Ootjers (NL) & Hinde Chaâtouf (NL): The Subgenderal Research Centre of the Liminal Being(s)
# Hester Scheurwater(NL) AT PLAY (Work in Progress)
# Tommy Ventevogel (NL): Sudder Death Klebsiella
# agnès b. and Maison Martin Margiela in ‘Out of Fashion’ (cooperation with IFFR, 2011)
# WdKA book presentation: ‘No Image Available’ of Illustration students WdKA
# Marc Koolen, Art van Triest and Margriet Kick-Ass: Futurismo 192011
# Oskar Maan (NL): Post- apocalyptic Institute for Nature
and Science History (PINSH)
# Arno Coenen (NL), A Sick Zine (Silas Nout en Martin van der Molen, NL), Dennis van Vreden (NL)
# INTROOUTRO: group show presenting the graduation projects of students from the Master of Interior Architecture and Retail Design [MIARD] at the Piet Zwart Institute.
# Nina Schuiki (AT), Emanuel Ehgartner (AT), Jonas Feferle (AT), Konrad Strutz (AT) & David Welsch (AT): Left Before – Right Behind
2013-2015: Teilingerstraat 128
On Friday, 13 May 2013, more than 2000 people joined the grand opening of Roodkapje’s new location at Teilingerstraat 128, in Rotterdam Noord. The opening of the new space coincided with the opening of a new exhibiton: Post Slack, the first in a series of six exhibitions in which we explored visions on a better future society through art, with the overarching theme: We Are The World. Meanwhile, Burgertrut temporarily moved from Meent to WORM.
Besides We Are The World and several individual exhibitions, the new space also housed the Magnetronbar (Roodkapje’s canteen for camping chique wining and dining) and the Megashop (a small shop in which young artists and designers could sell their art), which were opened during the entire period at Teilingerstraat. In the big and small room in the basement, Roodkapje’s music program evolved into four seperate concepts: Club Heimat, MIMA, Band Aid and Gespitzen, whilst at Vond.A experiments in multi/inter disciplinary performance art and time-based media were programmed.
The six exhibitions, each accompanied by a printed publication, that were organized under the umbrella of We Are The World were:
# Post Slack (31/05-07/07//2013)
# Manumission (26/07-01/09//2013)
# Entity of ZOON (12/09-27/10//2013)
# APOTHEOSIS (08/11-22/12//2013)
# Ultra Feminism (03/04-03/05//2014)
# Consensus Reality (11/07-24/08//2014)
Other notable exhibitions and events on the Teilingerstraat include:
# Jasper Griepink: SWEAT (2014)
# Dennis de Bel: No Ware (2014)
# Nada van Dalen (2014)
# Nikki Ootjers & Hinde Chaâtouf (Frauduleus)
# Museumnacht (2014): ‘Pony Pack’, with KOBE (and ponies!)
Several Work in Progress (WIP)-projects and two editions of performance-festival WINTERWOLVEN.
In August 2014 Roodkapje curated an art program for Mysteryland. During our #INFLATION INVASION we opened a lemonade-bar and exhibited Rotganzen’s Sugar Lee’s Jolly Jump Smother, Anniq Euphoriq and KOBE. Dennis van Vreden did a ten(!) hour version of his performance ‘Serfbort’.
2015-Present: Roodkapje Radicals
In the Autumn of 2014, after the final We Are The World-exhibition, Roodkapje made plans for the next period. At the annual festival ‘De Wereld van het Witte de Withkwartier’, Roodkapje introduced the new theme: RADICALS.
We curated the festival’s opening performance NOUVEAU EURO TRASH of fashion performance artists: Anniq Euphoriq and Nada van Dalen. Their respective clans paraded through the Witte de Withstraat and clashed halfway.
The new theme of Roodkapje revolves around being RADICAL. The political term, radicalism, focuses on altering social structures through revolutionary means and changing value systems in fundamental ways. Pulling them from the roots! Roodkapje tends to go against the grain. Not to shock, provoke or insult, but to wake people up and make them think about what exactly one is ‘supposed’ to do. We are looking for diverse works that challenge the status quo and that are radically different. We want and expect fresh, new, RADICAL performances to be the highlight of the event. Roodkapje thinks there are too many outmoded rules and that finger pointing is small minded, stalling progress and innovation. Who else but the artist can speak up and think freely?
The Radicals-theme was further implemented into the new year. Roodkapje left the Teilingerstraat, after a final edition of Winterwolven in January 2015, to focus on organizing multidisciplinary RADICALS-festivals in The Netherlands and abroad.